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June 2012

OCTAVIO PAZ ~ THE LOVE IN LOVE

in Poetical Visions/Poetry of Art by

At times poetry is the vertigo of bodies and the vertigo of speech and the vertigo of death;
the walk with eyes closed along the edge of the cliff, and the verbena in submarine gardens;
the laughter that sets on fire the rules and the holy commandments;
the descent of parachuting words onto the sands of the page;
the despair that boards a paper boat and crosses,
for forty nights and forty days, the night-sorrow sea and the day-sorrow desert;
the idolatry of the self and the desecration of the self and the dissipation of the self;
the beheading of epithets, the burial of mirrors;
the recollection of pronouns freshly cut in the
garden of Epicurus, and the garden of Netzahualcoyotl;
the flute solo on the terrace of memory and the dance of flames in the cave of thought;
the migrations of millions of verbs, wings and claws, seeds and hands;
the nouns, bony and full of roots, planted on the waves of language;
the love unseen and the love unheard and the love unsaid: the love in love.”
― Octavio Paz

MARC CHAGALL ~ ART FROM THE HEART

in Passion Of Art by

Marc Chagall and Pablo Picasso, St. Paul de Vence, 1955 -by Philippe Halsman

‘When I work from my heart, almost everything comes right, but when from my head, almost nothing.”

F. SCOTT FITZGERALD ~ THE BEGINNING OF SUMMER

in The words that make sense... brilliant writings by writers... by

“And so with the sunshine and the great bursts of leaves growing on the trees, just as things grow in fast movies, I had that familiar conviction that life was beginning over again with the summer.”
― F. Scott Fitzgerald, The Great Gatsby

MAYA ANGELOU ~ HOW DO PEOPLE REMEMBER YOU…

in The words that make sense... brilliant writings by writers... by

“I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel.”
― Maya Angelou

MAEVE BRENNAN ~ HOME IS A PLACE IN THE MIND

in The words that make sense... brilliant writings by writers... by

“Home is a place in the mind. When it is empty, it frets. It is fretful with memory, faces and places and times gone by. Beloved images rise up in disobedience and make a mirror for emptiness. Then what resentful wonder, and what half-aimless seeking. It is a silly state of affairs. It is a silly creature that tries to get a smile from even the most familiar and loving shadow. Comical and hopeless, the long gaze back is always turned inward.”
― Maeve Brennan, The Visitor

A BOOK IS MY BEST FRIEND…

in Women and their Passion for Books by

“Books are the quietest and most constant of friends; they are the most accessible and wisest of counselors, and the most patient of teachers.”
― Charles William Eliot

Auguste Toulmouche (1829-1890)
Dolce far niente
Oil on Canvas
-1877

PRIMO LEVI ~ ON HAPPINESS

in The words that make sense... brilliant writings by writers... by

“Sooner or later in life everyone discovers that perfect happiness is unrealizable, but there are few who stop to consider the antithesis; that perfect unhappiness is equally unattainable.”
– Primo Levi

IT’S A WOMENS WORLD BY MONIQUE LUCY WEBERINK

in My own creations/Passion Of Art by

“How wrong is it for a woman to expect the man to build the world she wants, rather than to create it herself?” ~Anais Nin.

When I was asked to write a column for an American cultural magazine, my first thought was if I would be able to do this, first of all being European and second – strangely enough – being a woman.  Would I be able to write something interesting that can capture the mind of the American reader? Then I realized this behavior is perhaps just typical for  a woman. Am I able to, can I do this at all, how will other people perceive me?  Stop whining! Just go and do it?

Let me properly introduce myself. Having studied Italian literature with a strong focus on Magical Realism I am a digital artist and poet and spent most of my time working on my art and writing my blogs. Born in the Netherlands, but as I have never felt typical Dutch I traveled a lot, lived in several European countries and so ended up today living in Gran Canaria, a paradise island located near Africa but officially part of Spain. I am passionate about art, literature, music and anything that enriches our life, things that make it beautiful and worthwhile.

My first article for this column I actually had planned to write about successful women in visual arts. But after having started I ran into my first big dilemma: “Was I able to think of enough important female artists?” While I had no troubles whatsoever to think of female writers and musicians I was only able to name a few women painters from the top of my head, and that made me think.

If I would have decided to write about male artists I could have named hundreds of them and there would have been enough information to write a library full of books – which other people actually have already done – but why is it that there are so few female artists. Had I just forgotten about them? One artist that most of you probably would have thought of right away is Frida Kahlo. She is an inspirational character, a truly great female Mexican artist. But when you think of it, her art was partly inspired on her suffering that was caused by her husband Diego Rivera.  He treated her very bad and had many affairs which she turned into inspiration for her art.  Many works are self portraits in which she presents herself to the world how she saw herself, suffering from physical and emotional pain, a tortured soul. The question is would we have remembered her if her husband wasn’t one of the most famous artists of his time?

When I try hard enough other artists come to mind like Dorothea Tanning, Remedios Varo, Berthe Morisot, Mary Cassatt, Sophie Anderson and Tracey Emin.

Why is it that there is such a big difference in the level of success between women and men in visual art. I believe an artist needs some form of inner freedom to be able to create, but isn’t it so that women have a greater need for admiration and approval of others in order to perform? Woman are perhaps more likely to be judged on their behaviour and what they express while men can create whatever inspires them. Perhaps there is a correlation between these two.

It wasn’t up till the late sixties that things began to change largely due to the feminist movement and ‘woman in art movements ‘that Art galleries were almost forced to start taking female art serious, they demanded attention.  The motto was “Art creating identities” where Art becomes personal and persons became art.

Happily most things have changed a great deal and I do believe we – meaning the artistic women – have broken free of many chains of society being free to develop, create and express. The question remains is it just our inner self that sets boundaries and creates our own obstacles in the creation of art and promoting ourselves. As a ‘typical’ woman, of course I am not sure either… am I right, am I wrong.

This article has been published earlier in Sweet Henry Magazine, April 2012

Portrait is by Frida Kahlo

IT'S A WOMENS WORLD BY MONIQUE LUCY WEBERINK

in My own creations/Passion Of Art by

“How wrong is it for a woman to expect the man to build the world she wants, rather than to create it herself?” ~Anais Nin.

When I was asked to write a column for an American cultural magazine, my first thought was if I would be able to do this, first of all being European and second – strangely enough – being a woman.  Would I be able to write something interesting that can capture the mind of the American reader? Then I realized this behavior is perhaps just typical for  a woman. Am I able to, can I do this at all, how will other people perceive me?  Stop whining! Just go and do it?

Let me properly introduce myself. Having studied Italian literature with a strong focus on Magical Realism I am a digital artist and poet and spent most of my time working on my art and writing my blogs. Born in the Netherlands, but as I have never felt typical Dutch I traveled a lot, lived in several European countries and so ended up today living in Gran Canaria, a paradise island located near Africa but officially part of Spain. I am passionate about art, literature, music and anything that enriches our life, things that make it beautiful and worthwhile.

My first article for this column I actually had planned to write about successful women in visual arts. But after having started I ran into my first big dilemma: “Was I able to think of enough important female artists?” While I had no troubles whatsoever to think of female writers and musicians I was only able to name a few women painters from the top of my head, and that made me think.

If I would have decided to write about male artists I could have named hundreds of them and there would have been enough information to write a library full of books – which other people actually have already done – but why is it that there are so few female artists. Had I just forgotten about them? One artist that most of you probably would have thought of right away is Frida Kahlo. She is an inspirational character, a truly great female Mexican artist. But when you think of it, her art was partly inspired on her suffering that was caused by her husband Diego Rivera.  He treated her very bad and had many affairs which she turned into inspiration for her art.  Many works are self portraits in which she presents herself to the world how she saw herself, suffering from physical and emotional pain, a tortured soul. The question is would we have remembered her if her husband wasn’t one of the most famous artists of his time?

When I try hard enough other artists come to mind like Dorothea Tanning, Remedios Varo, Berthe Morisot, Mary Cassatt, Sophie Anderson and Tracey Emin.

Why is it that there is such a big difference in the level of success between women and men in visual art. I believe an artist needs some form of inner freedom to be able to create, but isn’t it so that women have a greater need for admiration and approval of others in order to perform? Woman are perhaps more likely to be judged on their behaviour and what they express while men can create whatever inspires them. Perhaps there is a correlation between these two.

It wasn’t up till the late sixties that things began to change largely due to the feminist movement and ‘woman in art movements ‘that Art galleries were almost forced to start taking female art serious, they demanded attention.  The motto was “Art creating identities” where Art becomes personal and persons became art.

Happily most things have changed a great deal and I do believe we – meaning the artistic women – have broken free of many chains of society being free to develop, create and express. The question remains is it just our inner self that sets boundaries and creates our own obstacles in the creation of art and promoting ourselves. As a ‘typical’ woman, of course I am not sure either… am I right, am I wrong.

This article has been published earlier in Sweet Henry Magazine, April 2012

Portrait is by Frida Kahlo

HARUKI MURAKAMI ~ A FEELING OF PAIN

in The words that make sense... brilliant writings by writers... by

“I think you still love me, but we can’t escape the fact that I’m not enough for you. I knew this was going to happen. So I’m not blaming you for falling in love with another woman. I’m not angry, either. I should be, but I’m not. I just feel pain. A lot of pain. I thought I could imagine how much this would hurt, but I was wrong.”
― Haruki Murakami, South of the Border, West of the Sun

Painting by Constance Marie Charpentier

Melancholy, 1801

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