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Art & the Unconscious Mind - page 7

Art about Dreaming, Reality and the Unconscious Mind...

FRANCIS BACON ~ A SCREAM

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“We are born with a scream; we come into life with a scream, and maybe love is a mosquito net between the fear of living and the fear of death.”
Francis Bacon

GEORGES BRAQUE ~ MYSTERY OF ART

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“There is only one valuable thing in art: the thing you cannot explain.”
Georges Braque

LEON SPILLIAERT ~ THE POSTS

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The Posts (1910) by Leon Spilliaert
(Belgian 1881-1946)

FERNAND KHNOPFF ~ MY HEART IS CRYING

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“Mon coeur pleure d’autrefois” 1889 by Fernand Khnopff
Belgian 1858-1921

MARGUERITE YOURCENAR ~ INTELLECTUALISM

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“…and I reminded myself that the reproach of intellectualism is often directed at the most sensitive natures, those most ardently alive, those obliged by their frailty or their excess of strength constantly to resort to the arduous disciplines of the mind.”

Marguerite Yourcenar

JOSEPH LEFEBVRE ~ PANDORA

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“Pandora” 1882 by Jules Joseph Lefebvre

In Greek mythology, Pandora (ancient Greek, Πανδώρα, derived from πᾶν “all” and δῶρον “gift”, thus “giver of all”, “all-endowed”) was the first woman. As Hesiod related it, each god helped create her by giving her unique gifts. Zeus ordered Hephaestus to mould her out of Earth as part of the punishment of mankind for Prometheus’ theft of the secret of fire, and all the gods joined in offering her “seductive gifts”. Her other name, inscribed against her figure on a white-ground kylix in the British Museum, is Anesidora, “she who sends up gifts, up implying “from below” within the earth. According to the myth, Pandora opened a jar (pithos), in modern accounts sometimes mistranslated as “Pandora’s box” , releasing all the evils of mankind— although the particular evils, aside from plagues and diseases, are not specified in detail by Hesiod — leaving only Hope inside once she had closed it again. She opened the jar out of simple curiosity and not as a malicious act

LEONOR FINI ~ SURREAL WOMAN PAINTER

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La Confiserie (1932)

Leonor Fini (August 30, 1907 – January 18, 1996) was an Argentine surrealist painter.

Life and work

Born in Buenos Aires, Argentina, she was raised in Trieste, Italy. She moved to Milan at the age

of 17, and then to Paris, in either 1931 or 1932. There, she became acquainted with, among many

others, Paul Éluard, Max Ernst, Georges Bataille, Henri Cartier-Bresson, Picasso, André Pieyre

de Mandiargues, and Salvador Dalí. She traveled Europe by car with Mandiargues and

Cartier-Bresson where she was photographed nude in a swimming pool by Cartier-Bresson. The

photograph of Fini sold in 2007 for $305,000 – the highest price paid at auction for one of his

works to that date.

She painted portraits of Jean Genet, Anna Magnani, Jacques Audiberti, Alida Valli, Jean

Schlumberger (jewelry designer) and Suzanne Flon as well as many other celebrities and wealthy

visitors to Paris. While working for Elsa Schiaparelli she designed the flacon for the perfume,

“Shocking”, which became the top selling perfume for the House of Schiaparelli. She designed

costumes and decorations for theater, ballet and opera, including the first ballet performed by

Roland Petit’s Ballet de Paris, “Les Demoiselles de la nuit”, featuring a young Margot Fonteyn.

This was a payment of gratitude for Fini’s having been instrumental in finding the funding for

the new ballet company. She also designed the costumes for two films, Renato Castellani’s Romeo

and Juliet (1954) and John Huston’s A Walk with Love and Death (1968), which starred 18 year old

Anjelica Huston and Moshe Dayan’s son, Assaf.

She once said,

Marriage never appealed to me, I have never lived with one person. Since I was 18, I’ve

always preferred to live in a sort of community – A big house with my atelier and cats and

friends, one with a man who was rather a lover and another who was rather a friend. And it has always worked.

JEAN COCTEAU ~ MOMENT IN TIME

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Nothing ever gets anywhere. The earth keeps turning round and gets nowhere. The moment is the only thing that counts.

~Jean Cocteau, Professional Secrets, 1922

VIRGINIA WOOLF ~ THE THRUTH

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“Yet it is in our idleness, in our dreams, that the submerged truth sometimes comes to the top”
Virginia Woolf

SHAW ~ ON DREAMS AND REALITY

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You see things; and you say, ‘Why?’ But I dream things that never were; and I say, ‘Why not?’”

George Bernard Shaw 1856-1950

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